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Arrested Development: Pop Culture and the Erosion of Adulthood, by Andrew Calcutt
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Since the 1990s, both politics and pop culture have been dominated by the twin motifs of the victim and the child. Calcutt traces the history of these motifs back to their origins in the counterculture of the 1950s and 1960s, and concludes that the counterculture, far from being liberating, has provided a ready-made verbal and visual language for today's victim culture and the authoritarian politics arising from it. This title discusses the erosion of adulthood as a pop cultural phenomenon that requires demystification and as a social problem which must be overcome.
- Published on: 1998-04
- Original language: English
- Binding: Hardcover
- 224 pages
About the Author
Andrew Calcutt is Principal Lecturer in Journalism at the University of East London, UK.
Most helpful customer reviews
5 of 5 people found the following review helpful.
An outstanding analysis of contemporary society.
By A Customer
'Arrested Development' is a brilliant critique of the relationship between popular culture and today's society. Politicians with little to offer in the way of vision, turn to popular culture to try and look for a dynamism that they haven't got.
Calcutt's book exposes the superficiality of this embrace and the divisive consequences it has for today's society. The author also writes with great honesty about his own forays into pop culture and all of it's follies which many of us have fallen for in our youth.
The book puts forward the case for adulthood in an environment where it appears more desirable to remain a Peter Pan character espousing throwaway 'popstar' type attitudes rather than develop the critical faculties and reflective capabilities that come with maturity.
3 of 3 people found the following review helpful.
Disappointed
By D. Chesnut
I was hoping for some insight into the reasons behind what appears to be an increasingly narcissistic attitude behind modern culture. Instead I found a frustrated pop star wannabe who rails at everyone and everything that prevented him from becoming a superstar. Calcutt is not a sociologist and this book prooves it. Rather, he comes across more like a pulp writer hacking away at a tell-all.
While there may be a shred of value in this poorly written attempt at explaining modern culture's woes, readers would be better served to look into James Cote's work, Arrested Adulthood.
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